The Book Flood
It’s New Year’s Eve, and something weird is happening.
I’m sitting cross-legged on the couch in a long violet dress, sipping soju. My hair is still damp from my solo swim earlier. Three young goth girls are singing to me in Icelandic from my Spotify playlist. The sun is setting, flooding our seventh-floor apartment with light, and my three-legged rescue cat is giving me languorous slow blinks.
And in his corner chair, specs on, head down, my husband is reading my debut novel for the first time.
In 2014 I spent a month in far-northern Iceland on a writing residency. If you’ve followed my blog before, you’ll know that I’m a winter wench at heart: thigh-high snow, the northern lights over my rooftop, breath clouding in front of my face. From that and other visits to Iceland, my book formed.
In 2019 I signed a publication contract with Simon and Schuster. I’m skipping the redrafting, the pitching and praying, the oceans of uncertainty. You don’t need to read that. I signed a contract, one of the most joyous events of my life, and within weeks, Covid hit.
Think I’ll just skip over that too, if you don’t mind.
So here we are in December 2022, and my husband is holding in his hands the ARC of my debut novel, the advance reader copy. Things have suddenly kicked into Very High Gear. This version has been sent to reviewers, bloggers and booksellers, and I’m trying to find space in my head and heart for the knowledge it’s out in the world.
And it’s in my husband’s hands. Deep breath, stop watching his face for each muscle movement, don’t ask at each chuckle ‘What part are you up to?’ A novelist himself, I want so much for him to nod, and say, ‘Good work, baby.’
Here is what I do know. My book, ‘Fed to Red Birds,’ will be officially published on March 8 (International Women’s Day, a coincidence I’m over the moon about) and the cover will be revealed in the next two weeks. Simon and Schuster have been utterly amazing, from my editors and publicists to audio publishers and Icelandic specialists. They’ve sent out exquisite ARC packages with little wooden ornaments and a postcard with a QR code that leads straight to our ‘Fed to Red Birds’ playlist of Icelandic artists. These were sent in time for the Icelandic tradition of the Christmas Book Flood, celebrating books and reading. I’m excited and delighted and so very grateful that after the distress and delay that was Covid, my book is finally coming.
But for now, if you don’t mind, I’m going to take my soju and sit out on the balcony. I’m going to wait for fireworks and pretend not to watch my husband’s every facial movement.
Wish me luck.
Oh, and happy New Year’s Eve. I wish you nothing but blessings for the coming cycle.
Romeo Lane and Juliet Terrace
She was known as Madame Brussels. Of course I loved the name; my favourite city. In my hometown on the other side of the world, I stood on the corner of Lonsdale Street in central Melbourne and looked for the laneway named after her.
Madame Brussels looms large in the history of Melbourne. She owned and ran some of the most expensive brothels in the city in the 19th century. There were dance halls, pubs, opium dens and many ‘houses of ill-repute’ crammed into the notorious Little Lon area, and their history still pokes through, if you know where to look.
I was on the hunt for Romeo Lane and Juliet Terrace, with Bilking Square in the middle. The red light district of Victorian era Melbourne, if you can’t tell by the names.
In this city we’ve been in the longest, strictest lockdown in Covid history: 265 days of hardcore restrictions. No shops or bars open, no movement more than 5km from home, a 9pm curfew. It’s been…challenging. There are only so many Kali chants, bass guitar lessons and black and white movies a woman can take before she decides to use her daily exercise hour to explore the back streets of her own city.
Though in all honesty, I could take a few more Tennessee Williams film adaptations.
Here’s the thing though: I couldn’t find Romeo Lane, Juliet Terrace or Bilking Square. I walked, I frowned, I retraced my steps. My search took me past two of my favourite bookstores, Paperback Bookshop and Hill of Content, but they were (of course) shut in lockdown, and I was on a mission.
I found where I thought Bilking Square should be. It looked familiar. When I realised why, I leaned against a red brick wall to take it all in. I was outside the very restaurant in which I’d met my publisher at Scribner last year to celebrate signing a contract for my debut novel. I’d worn red lipstick, a cinched waist 50s dress with full skirt, and black ballet flats. I think I was aiming for Ava Gardner, but landed more on the side of Lucille Ball, with inappropriate jokes about the plague and polyamory. When the waiter leaned in to place a linen napkin on my lap, I flinched. I ate tagliatelle with smoked fennel seeds and almost choked on them when my publisher said my book has ‘just the right amount of blood in the water.’ I proposed a champagne toast to the memory of my beautiful aunt Grace, whom the book will be dedicated to when published. She felt right there at the table with me.
Lord, what a day that was.
Turns out it used to be Romeo Lane, but had been renamed Crossley Street 150 years ago in an effort to cleanse the streets of their sordid Little Lon reputation. It didn’t matter though; I went home smiling.
Turns out my stories are written on Melbourne’s streets, too, if I remember to look.
‘Voice’ launch
In the heart of Brussels in the Canal of Wolves
Wolvengracht
Rue du Fossé aux Loups
The box landed on my doorstep in time for Imbolc, the Witchcraft festival marking the end of winter and the approach of spring. I knew what it was straight away. I set the box on my altar, not knowing what to do with it, and the flurry of emotion that had landed with it.
It didn’t last long.
There are few finer experiences than opening a box of your own books for the first time.
‘Writer Rijn Collins’ VOICE is a moving, honest and, at times, darkly humorous three-part memoir. She knocks on the doors to belonging, identity and love through the power of language and her innate desire to understand both herself and others. Drawing on Rijn’s linguistic background in Flemish, Irish and Icelandic, VOICE is both a curious tour of foreign places and words as well as a triumphant journey to the heart and light.’
Travel seems long ago and far away thanks to Covid, which is why I absolutely loved writing about my time with these lands and their languages. But what I loved most – what I’ll always love – is writing about Brussels.
I lived there for a year in my teens, and for nine months in my thirties. Deciding what to include in the Flemish chapter of my memoir was so much more challenging than the Irish and Icelandic sections, though I love both those languages too. Memories of Brussels keep floating up, and I hope they never stop.
The Witchcraft store where I’d buy amber and myrrh incense wrapped in wax paper, and tiny bells to plait into my long black hair.
The bar on Schildknaapsstraat, Street of the Squires, where at seventeen I met a Swedish backpacker whose recent inheritance was allowing him to travel far and wide across Europe. When he invited me to join him, fully funded, it was a temptation beyond belief. When I eventually and regretfully declined, he tied a bracelet around my wrist to remember him by. Decades later, I still know which box in the garage it’s in, nestled next to a deer skull and antlers, snake skins and velvet dresses.
The library where I found a huge volume of Sylvia Plath’s journals, and painstakingly handwrote whole chapters into a teal notebook, week after week.
The hairdresser where a devastating breakup led me to cut off my waist-length hair, like a myriad of heartbroken women before me. When the owner asked if I’d like to keep the hair, I told him about the relationship. He murmured sympathy and asked ‘Would you like me to stomp on it instead?’ Mais oui, monsieur, oui. He gathered all his staff and to my delight, led them in a wild dance across the studio, grinding my hair into the floorboards.
I could go on (and I probably will, somewhere).
Or you could come along to my launch this Sunday in Melbourne and pick up a copy yourself.
When: Sunday 8th August, 3pm-6pm
Where: Sloth bar, 202 Barkly Street, Footscray
If you have an interest in Icelandic spells or feminist punk, linguistics or Goth girls, or just supporting local authors…would love to see you there.
VOICE
Something wonderful has happened.
My name is on a book cover.
My debut collection of short memoir, VOICE, is now available for pre-order. Somekind Press is a crowdfunded publishing house, and their ROAR series is ‘dedicated to some of Australia’s newest and most exciting writing talent.’ Such amazing company to be in!
From Somekind’s website:
‘An adventure, a home, a new skin to slide into and claim as my own…” In writer Rijn Collins’ VOICE, a moving, honest and, at times, darkly humorous three-part memoir, we meet a young Rijn on a personal journey of discovery; a poignant search to find and accept herself. Rijn’s hunt takes her to faraway lands – from Melbourne to Belgium and Iceland (and back again), from drinking cherry beers on medieval cobblestone streets to gazing at the Northern Lights knee-deep in snow in places where “roads are rerouted to avoid underground elf homes.” Punk to paganism, snow and solitude to cheery Irish pubs, Rijn knocks on the doors to belonging, identity and love through the power of language and words and her innate desire to understand both herself and others. Drawing on Rijn’s linguistic background in Flemish, Irish and Icelandic, VOICE is both a curious tour of foreign places and words as well as a triumphant journey to the heart and light.
If you’ve been following my blog, you know I love the niche, and there is plenty of that here. Tiny bird bones and feminist punk, pagan altars and snakes curled asleep in my bra, snowy sagas and Goth cafes, the languages I adore and a winter solstice wedding, a taxidermy snow goose and a potential Riverdance audition.
If that sounds up your alley – you beautiful weirdo – please click through on the photos and place your pre-order. You have ten days to do so to help it reach publication, so I would love your support, as well as the opportunity to support a fabulous new micro-publisher on the Australian, Japanese and American literary scene. Here we go 
Maelstrom
Her name meant ‘nocturnal journey.’ I chose her for that reason from the clinic’s website. For my first appointment, I was concerned about running late so pulled on the first thing my fingers found. I got to the front gate. A tight and lime green ‘Getting Lucky in Kentucky’ t-shirt might not be the best first impression. I changed it. These things count, you know.
‘Those places are full of secret codes of behaviour, believe me. They won’t tell you what they are, but they’ll sure as hell notice when you break them.’
She had pale, fine hair and smiled often. I sat cross-legged on her couch and didn’t smile at all. My hand rested on my breastbone as though trying to push down the pressure that had been building in my ribcage.
In our third session, she leaned forward.
‘Did you know – ‘ I leaned forward too – ‘that uncertainty doesn’t seem to sit well with you?’
I did know. I sighed as I walked out of there. Who did it sit well with? I didn’t make another appointment.
A month later, Covid hit.
If there were ever a year to explore uncertainty, it’s 2020.
Like most of us, I’ve been limping towards December 31st. It’s been so grim for so long, and I am bone fucking tired. It was a year that started well, too, with publication contracts for both myself and my husband for our debut novels. But then 2020 tilted, everything skewed, and the unexpected came shooting straight at us.
I’m deeply grateful to have my health, my home and my husband. At this age, I’m surprised when I can still surprise myself, but I learned some things in 2020, and I’m grateful for them too. This little technophobe had a crash course in zoom and transferred 100% of her teaching online, to the amazement of everyone. I had it written into my wedding vows that I would not ask for husband for tech help, and lord, did I break that this year (thanks, baby). A global pandemic is a brutal background for the first year of marriage, but we turned to each other instead of against, and are closer than ever.
In a year that seemed never-ending, the importance of the Solstices and Equinoxes in marking time, and therefore opportunities for regeneration and renewal, were inestimable. My altar is the first place I go every morning, and the last at night. Through Nina Hagen I also found Kirtan, traditional Hindu devotional songs, which I’ve been singing all through lockdown (sorry, baby).
A huge hit of unexpected joy came in the form of another publication contract, though I’m not giving details until it’s all settled and signed. A teaser is that it allows me to write about my favourite place in the world, Brussels, as well as the setting of my novel, Iceland,, and my love of languages that has led me through a degree in Linguistics and fourteen years of language teaching. So excited to get to work!
One deeply painful lesson was that when my beloved Marley took unexpectedly sick and died in my hands five weeks ago, my own heart was able to still keep beating, though it broke into so many pieces. A life lived without a creature is not a life for me. Today we welcomed a three-legged rescue cat called Martha into our family, and her purring behind me right now is pure joy, though we all need time to adjust.
Lastly, trapped in Melbourne’s industrial west for eight months of lockdown, among petrochemical vats and noxious factories, I learned that I crave the forest. Green, green, so much hunger for green. I’ve been a city girl my whole life, but that may just be coming to a close. If 2020 has taught me anything, it’s that the unexpected is not necessarily the enemy.
And I’ve read. Damn, have I read. Thanks to everyone whose books, stories, articles and recommendations have been shared and supported by the astounding literary community, and so made their way into my life. If you have any recommendations (including your own books) please let me know.
Here’s to 2021….time to close our eyes, and leap.
Once in a blue Beltaine moon
The city looked weird. I felt deeply uncomfortable. There was only one other person in my train carriage, but their mask was slung low, under their nose. I moved seats. When I got off at Flinders Street Station in central Melbourne, there were few passengers. Ambling across the concourse instead were groups of police, navy blue uniforms stark against the pale Edwardian tiles. They seemed chatty, buoyant. I walked, head down. Then a pigeon flew out from behind a pillar, and I flinched.
It takes time to adjust to freedom, and I was not quite there.
Melbourne is opening again. We had 71 days of Stage Three restrictions, followed by 111 days of Stage Four; one of the longest and harshest lockdowns in Covid so far. It’s been…well, quite something. And doubtless something we’ll be processing for a long time to come.
My last post talks about the challenges; this one will catalogue the crutches that helped me through it (if we’re there, in fact – I’m taking nothing for granted anymore). Tonight, on Beltaine in the Southern Hemisphere, we’re welcoming the approaching summer, the turn of the seasons, the full blue moon. We’re welcoming the light back. So here’s where mine gets in.
Reading art books on Dürer, Jan van Eyck and Goya. Trading ideas with my publisher about book covers for my debut novel next year. Mentioning on Instagram that I was teaching myself bass tabs to my beloved Babes In Toyland, and having the bass player herself chime in with advice…total fan girl swoon. Then learning how to play the songs she suggested. Exploring the literature of Iceland, and translating idioms with an Icelandic friend for my novel. Being delighted and surprised by the joy of boxing, and the release of cutting all my nails off to fit in the gloves. Taking part in an online book club to discuss the incredible Helen Garner, and having the author herself join us for two hours of intoxicating chat. Nina Hagen devotional chants in my studio. And thrillingly, being approached about writing a book of narrative non-fiction once my novel edits are finished, and the delicious teasing out of stories that encourages.
My fat black cat has a hole in the laundry door she barrels through to get into our jungle courtyard. It used to have a flap, but her sheer girth smashed the fibreglass into tiny pieces long ago. She noses around the garden then howls at the kitchen door for us to let her back in. She seems to forget she could simply come back in the same way she left. The exit and entry are muddled; she doesn’t quite know what to do with her freedom. I feel much the same way right now. It could trigger tender memories of the years in my youth I spent agoraphobic, if I let it. But then I can also recall the feeling of standing at my front door, blinking at the sunshine, gaining courage.
It’s Beltaine, after all, and I know the light is coming.
Plums, punk, pinot
I knew as soon as I saw the photos. Yes, this was definitely the one. The orange and brown swirls, the turntable with vintage vinyl, the five cats who liked to visit. This caravan was the perfect place to meet my publisher’s deadline for rewrites on my novel.
I took the train two and a half hours north of Melbourne. The freedom and exhilaration of hitting the road always tastes so sweet. It would be my last taste for some time. I’m glad I didn’t know it as I walked through Bendigo, picking up a few days’ food and a bottle of spiced rum. The caravan was only twenty minutes’ walk from the centre of town. I remember the sun was hot, my bags heavy, my heart full. I would have a few days to write before my husband came up to join me: the perfect getaway.
The 70’s caravan was every bit as funky and fabulous as the photos. I popped the kettle on. I went through the records next to the turntable and selected Ike and Tina Turner. A snub-faced cat called Pearl sat on my lap as I pushed a cactus aside and set up my laptop on the table. ‘Nutbush City Limits’ filled the caravan.
Another self-imposed writing retreat, another step back into the Iceland of my novel. So just another week in my writing world, then.
It’s six weeks later and I can’t stop thinking of that caravan. I had no idea back then what was about to hit. Back in March I knew there was a virus, but no-one really could have predicted….well, this. This world we’re now in. I am extremely fortunate to be living in a house with a small garden, and to be sharing it with my husband and stepson. I’m not lacking touch, or company, or even an income, at least at this point. There were a few frantic weeks of the college I work at moving everything online, and believe me, this little technophobe had more than a few issues. But I’m lucky, and I know it. I just need to remember how to breathe when the anxiety swirls.
I skipped last month’s blog post. Didn’t even try to write one. It seemed so pointless in the face of everything. But I’m drinking down every story I can get on how people are handling this, and drawing strength from them. One friend is a nurse in the red dirt of far northern Australia; another a punk-loving mum from Rotterdam in the Netherlands. I read everything they write. We do the grocery shopping for our immune-compromised neighbour, and trade stories over the fence with soul music and mint juleps. Everyone is coping differently, but every story is worth telling.
In writing this I’m trying to focus on the comfort so as not to get overwhelmed by the chaos. My altar and bell jars of snake skins. Punk music and pinot noir. Handwritten letters. Fresh plums. Episodes of ‘International House Hunters.’ Playing bass. Rilke poetry. Liquorice tea. My chonky cat. Icelandic band Kaelan Mikla. Halloween tonight in the southern hemisphere. Being able to understand my friends’ messages in Dutch and German. My favourite Kali chant. Sunshine in my writing studio. Supportive emails from my agent and publisher. Meeting their deadline for my novel. And imagining my next writing retreat, when we’re able to move again, when we’re able to breathe.
I keep thinking about that caravan. The first thing I’m going to do when things stabilise, after rushing across Melbourne to sweep my beloved best friend into a massive bear hug, is to book this caravan again. I don’t even know what ‘stabilise’ means right now, so don’t ask me to clarify. But I do know I’m jumping on that V-Line train, and I’m going to open that retro door. I’m going to beckon in a cat or three, and open my notebook. And with Donna Summer crooning, I’m going to pour myself a rum, and start writing.
Scalpel and sinew under the northern lights
My head is very much down, hands on keyboard, blues on the stereo. This month has seen meetings with my lovely publisher and agent, work on my manuscript, collating of ideas for the book cover, publicity photos, a writing retreat, and so much joy (which never really comes without stress, does it?). I took time out to read a Lit Hub article detailing a set of questions the author always asks writers with a new book out. The questions were intriguing, the answers illuminating. Of course I picked up a pen, and answered some myself.
Without summarizing it in any way, what would you say your book is about?
Identity through isolation. Bird bones and snow. Regeneration through fragility. Icelandic sagas and Australian rainforest. Home and heart. Scalpel and sinew under the northern lights.
Far northen Iceland
Bird bones: anatomy of a thrush
Without explaining why and without naming other authors or books, can you discuss the various influences on your book?
Big Mama Thornton’s voice. Feminist punk lyrics. My familiars of cat and snake. A one-month writing residency in far northern Iceland. My taxidermy teacher. Victorian memento mori. An Icelandic-English dictionary. Trumpet lilies in my garden. Snake skins. My agent’s wisdom. My husband’s chest. My history of agoraphobia. The photography of Petrina Hicks. My constant search for solitude in snow. Red birds.
My trumpet lily tattoo
Petrina Hicks
Taxidermy workshop
Without using complete sentences, can you describe what was going on in your life as you wrote this book?
Studied Icelandic and taxidermy techniques. Fell in love. Pagan handfasting on the Winter Solstice. Honeymoon in Brussels with Bosch and Bruegel paintings. Leaned into step-motherhood. Got an agent and a bass guitar. Pulled my hair out with rewrites. Learned I was part-Norwegian. Husband signed a book deal. Loved my coven of scribe sisters.
Bronco bass and Marlow muse
Handfasting
If you could choose a career besides writing (irrespective of schooling requirements and/or talent) what would it be?
Translator of Germanic languages. In my degree I did a double major in Linguistics and Germanic Languages, which is where I first studied and fell in love with Icelandic. It’s a notoriously difficult language and my love for it far exceeds my skill. Setting my novel in Reykjavik with a protagonist who takes Icelandic classes meant being able to shine a light not just on the beauty of the language, but my reverence for it. I’ve lived in Brussels several times and travel as often as possible to Berlin: I would absolutely adore dipping into English, Dutch and German as a translator. In a perfect world, Icelandic would follow (and then Russian, and Finnish, and Gaelic, and…and…).
Windowsill eavesdropping, Brussels
Have I procrastinated enough?
Head down, stereo on, and back to the keyboard.
Up on the eighteenth floor
I saw the missed call. I was at work and couldn’t call back straight away. My agent had told me to be patient, to be calm. I was neither of those things. When I could call back, I had one of the most astonishing conversations of my life. How I went back into class and taught, I don’t know. I thought I was holding it together but one of my students asked whether I was feeling all right. ‘Absolutely,’ I told them, beaming. And it was more than true.
After work, I bought a bottle of champagne and went to meet my husband. It was his birthday the next day. As a treat I’d booked us a hotel room on the 18th floor, overlooking Victoria Market on the edge of Melbourne’s CBD. The day was sweltering, over 40 degrees, and the eerie yellow sky was thick with dust. People I passed on the city streets looked wired and worried. I put my head down and pressed the elevator buzzer.
He was tired and tender after his own full day. I listened to him talk and poured him champagne. It wasn’t that I didn’t want to share my news; I just needed to hold it in my hands for a while, quietly, on my own. And then I did tell him. Today I was offered a publication contract for my novel, baby. I said the words I’d waited my whole writing life for. I said the words aloud, like a spell, and held my glass up. His face, and then his clink, and then the joy. The offer for his own novel had come only two months before, an email I’d met with hollers and he’d met with stunned silence. Different people, different novels, but the same path, and the same passion.
We headed into Victoria Market and ate a bizarre yet delicious Korean Mexican meal. I had kim chi quesadillas with grape soju that tasted like bubble gum. Afterwards we went to The Drunken Poet and sat under Guinness signs and framed portraits of Irish writers. I had so much to process I could barely hear the band. We went back into the heat and the wind. I kept trying to tame my wild fringe and he kept grinning at how badly I failed. We went up to our room, laughing.
On the balcony of the 18th floor the wind roared. My long hair whipped around me; my glasses almost flew off. In bed, it shook the windows. The din was so ferocious it sounded like a vacuum cleaner slamming down the hallway, but when I looked, there was no-one there. We did not sleep well. Chris kicked me in his sleep, fighting dream crocodiles. I woke at 5:30am and watched the sky turn cold blue, wishing like hell for rain.
I didn’t fall back asleep. Instead, I replayed the phone conversation, and tried to plan for what might come next. I thought of my manuscript, of my protagonist, and the white and wild Iceland that spellbinds us both. I watched dawn wake my city. And then I got up, and reached for my notebook.
I am over the moon to announce that I’ve just signed with Scribner at Simon and Schuster to publish my debut novel. I’m utterly delighted to be working with the amazing people there, and so grateful to everyone who’s had faith in me and my writing ❤ Exciting times ahead!
Footscray
(photo by Shannon McDonald)
Nostalgia night
It’s old school all the way for me. I love placing a blues record on the turntable. I rely on hand-drawn maps to navigate new places. I write long letters to beloved pen pals in faraway countries. I hand write bass tabs to punk songs to pick out when nobody else is home to hear me play.
Bronco bass and Marlow muse
And I print out photos. I label them and place them in albums. I slide them into frames, tuck them into notebooks, and paste them into diaries. Oh yeah, I forgot to tell you: I write diaries too, but I doubt that surprises you.
I’m sitting on the floor of my writing studio, photos of this past year spread out on the red shag rug around me. These are some highlights of my 2019.
I celebrated typing THE END of my novel manuscript by welcoming a small snake into our household of bird bones and deer skulls. She was a hatchling, tiny enough to wrap around my fingers and snuggle inside my bra while I wrote. We were so proud when she shed her first tiny skin. The Medusa tattoo on my left arm never felt so fitting.
Beautiful little Elva
I finished the first full draft of my manuscript at the urging of a literary agent, who then met me for coffee a few days later. I had my outfit all laid out; my hands only shook a little. When I smashed my foot into the couch on the way out, breaking my little toe, I didn’t even think about cancelling. I just limped all the way there, hanging onto lamp posts for support. Her feedback was extraordinary, her interest buoying. Signing with her agency is still one of the most exciting moments of the year, painkillers notwithstanding.
Signing with Melanie Ostell Literary
Waking up on the Winter Solstice and smiling at my Wolf on the pillow next to me, knowing that in a matter of hours we’d be married in a pagan hand-fasting ceremony, was a golden moment not just of 2019, but of my life.
Hand-fasting ribbon, broomstick and black cat.
My Wolf and cub
The first stop of our honeymoon was Brussels, my old home. So many memories, so many diary entries written with a cherry beer in my hand and the cobblestones below my window! Standing in the Great Place, my absolute favourite place in the world, with my husband, was something I’d never even thought to imagine. When we were joined by my beloved pen pal of twenty years, whom I first met in an online feminist punk collective in the early days of the internet, and her man, the joy was intense. Cue Jacques Brel singalongs, walks in the rain, more cherry beer, and the tightest of hugs.
Contentment and cobblestones
A month later, back home in Melbourne, I was putting a record on the turntable in my studio when my man called my name. He was staring at his phone. The email was the one all writers wait for: we love your novel, and we want to publish it. We’re sending the contract tonight. I cried and wanted to shout it from the rooftops: he needed to sit in silence and process it. The following photo is at the train station on our way home from dinner and drinks to celebrate. I still love the look on his face.
Stay tuned for details of his upcoming novel!
Though my writing focus this year has been on finishing, honing and submitting my own novel, there have still been road trips to perform at literary festivals, as well as short story publications, residency applications and even planning books number two and three. My Icelandic spell book is still open on my desk; the snow is still all over my writing desk. And I will have some news to share very, very soon.
Iceland…setting of my first writing residency, and my novel.
In the meantime, I wish you a new year full of words and their wonder, in whatever form you prefer. See you in 2020.
Photo by Shannon McDonald
inkymouth 