Elva of the Equinox
Bird bones, cat box, leopard print…my writing studio (photo by Shannon McDonald)
I knew straight away I’d broken it. The pain was extraordinary. I managed to limp to the shower but stood under the water with my head against the tiles, trying not to throw up.
Of all the mornings to accidentally smash my toe against the brutal feet of our new couch, it had to be today.
There was no way I could cancel. I struggled into my clothes and with sheer bloody mindedness, zipped up my knee high leather boots. ‘It’s not too bad,’ I protested to my man, who winced as he watched me. ‘Why don’t you wear something more practical?’ he asked. We both knew why. I’d had my outfit picked out, professional with a tinge of rockabilly sass, and was determined to wear it: high boots, pencil skirt, and a red blouse with pussy bow, my tattoos spilling out of the cap sleeves.
And so off I limped to meet the literary agent who had requested my novel manuscript, and was waiting to discuss it with me over coffee.
Like I said, an appointment I did not want to cancel.
Writing at the lake, in Ólafsfjörður, northern Iceland
Melanie knows her stuff. She’s worked in publishing for over twenty years as an editor, publisher, consultant, educator and literary agent. It was an amazing opportunity to have her insight into my manuscript, and well worth limping into Melbourne for.
We chatted for two hours. My pen flew as we went over what did and didn’t work, about the Icelandic writing residency that inspired my novel in the first place, the cold up near the Arctic Circle and the myths and sagas of that wild white land. We spoke of spells and solstices, the taxidermy I’ve been doing as research, and the macabre and Gothic undercurrents that fuel myself and my ink. And in between I soaked up her wisdom on pacing and narrative tension, character charts and dialogue, scribbling as many notes as I could.
When I capped my pen I had five pages of ideas and inspiration…and yes, I had an agent.
I am beyond delighted to have signed with Melanie Ostell Literary. I pulled the contract from my letter box yesterday, smack on the Autumn Equinox, a perfect time to start a new cycle. I’m excited about the next draft, and the opportunity to hone and tighten my manuscript, and see where we can take it.
In the month between drafts, I really missed my protagonist, Elva. It’s felt odd not to delve into her life, her studio apartment in Reykjavik, her Icelandic lessons and taxidermy attempts. Putting the manuscript away for a month left quite a hole in my life. So in my own peculiar way, I filled it with a tiny baby snake, which I (of course) named Elva.
Elva, new member of the family
She’s a hatchling, so inquisitive and affectionate, who loves being handled and has captivated our whole household. No bites yet.
Maybe she thinks a broken toe is enough for me to deal with right now, hey?
As I sing my song to the sea
I know I’ve been absent, but for the best of reasons.
I’ve been writing.
And I’ve finished my novel.
My last post described my retreat in the Dandenongs where I put my head down and worked on the last stretch of my manuscript, with nothing but walks in the rainforest and Big Mama Thornton singing the blues to distract me. Two weeks later I flew over to Tasmania in a propeller plane that had me clenching my teeth, but which brought me to a beach side house where I again sat for days, typing away as I listened to waves crash only metres away.
Sisters Beach, Tasmania
I welcomed the first day of 2019 with a swim in the ocean, bobbing around under the bluest of skies as I sang my offering to the sea goddesses. Then I dried myself off, and wrote some more.
Beach side bliss, Sisters Beach, Tasmania
Last week I could see the finishing line approach. I sat in my studio back home in Melbourne, surrounded by my skulls and snake skins, my Icelandic spell books and photos of my writing residency in the tiny fishing village up near the Arctic Circle that had inspired my manuscript in the first place.
And then I wrote those magic words.
I barely had time to drink my champagne before I was given two weeks to edit it for the agent who’s been patiently waiting to read it since June. So now I’m back in my studio, head down, Big Mama crooning, honing my words as I edit, stitch and strengthen the project that’s been my passion for three years now.
All the emotions are swirling right now, but among them is joy.
I would love to stay and chat, but I have work to do.
Hold my whiskey: I’m going back in.
Excited and exhausted at the finishing line
Ink and inspiration
Kalorama, Victoria
I didn’t use to love this forest.
Growing up in the Dandenong mountain range, surrounded by towering mountain ash trees and the song of lyrebirds, I dreamed instead of big cities and punk clubs. I fled when I was seventeen, straight to Europe and an exchange year studying languages. It’s only now, decades later that I’ve come to not just appreciate the regenerative power of the rainforest, but to need it.
I’ve just come back from a solo writing retreat on the top of Mount Dandenong, about 30 kilometres outside Melbourne. I had a cosy cabin and a novel to work on whose protagonist, now living in Iceland, grew up in the hills as I did. My retreat was amazing: a thunderstorm brewed as I wrote, admired the mist, sang to Big Mama Thornton and fed kookaburras and cockatoos. The lovely email I got there from a literary agent keen to read my finished draft was pure inspiration, and kept the pen in my hand.
Kalorama cabin
Morning mist and cockatoos
This is not the only getaway to be featured in my December round up. This year I was fortunate enough to write in Sydney, Walhalla, Albury, Moyston, on the Gold Coast, and tomorrow, Tasmania. Road trips, then: seven.
2018 saw me perform at four literary festivals, both here and interstate. I had multiple new Stereo Stories published, and recorded new audio that was featured on All The Best Radio, Memoria podcast and played on the Melbourne Star Observation Wheel at Docklands.
Recording ‘The Eyes of a Bird‘ for Memoria podcast
‘Rapunzel, Rapunzel’ at Memoria podcast
Recording for All The Best radio – story here
I was interviewed for a film documentary on my love of the West Gate Bridge, also the subject of a story for the Readings Victoria project celebrating Melbourne’s tenth anniversary of being designated a UNESCO City of Literature. Add that to two stories published in the Big Issue, and you get two kickarse Christmas parties for both the Big Issue and our City of Literature office, right down to a dancefloor of writers doing the Nutbush.
I had a dozen rehearsals and meetings with my fabulous Stereo Stories collective, and wrote about the joys of collaborating for the Writers Vic magazine.
‘Deep Red Bells‘ at Stereo Stories (photo by Eric Algra)
Being accepted into the prestigious Hard Copy manuscript development program gave me immeasurable knowledge, inspiration and contacts, with my Digital crew being such a wonderful group of supportive and talented writers.
There were tens of thousands of words on my novel, multiple Icelandic spells and taxidermy techniques as research, and a rapidly approaching finish line. Uncountable new books read, red shoes bought, archery sessions, date night with The Wolf, writing sessions at State Library, snake skins collected and students corrected.
Beautiful engagement present
And one engagement, to a beautiful hirsute fellow writer I want to spend my life with.
2018 has been, as always, full of ink and inspiration. Hope yours has been likewise fulfilling…see you in 2019!
Closing out 2018 in stylish surrounds
Out of the Blue
My parents have both begun writing down their lives. Stories are being sent around our family of childhood shenanigans and teen dreams, vintage cars and 21st birthdays. As someone who’s kept a diary since the age of seven, I applaud this. How people cope without writing down their days is, frankly, beyond me.
My parents
The above pic is from their engagement party. She was 19, and he was 21. They still look at each other this way, even after what will next year be half a century of marriage. Mum recently wrote that in their first house together they were broke but joyous; Dad was a bricklayer and used his trowel to slather butter on their toast. They were overjoyed to be free of their parents’ rules and used this independence to delight in eating chocolate pudding for breakfast. We can still hear them laughing like naughty kids at some in-joke during family celebrations, hand in hand, heads bent together.
Our latest celebration belonged to myself, and my Wolf. We threw an engagement party recently. We booked a room at our local pub and ordered blue cheese platters and tiny vanilla slices. I bought a 50’s pin up dress with Sophia Loren wrap around top, and hot air balloons and snakes around the hem. I then slid under it a petticoat so full that I had to bat it down to fit through doors. My shoes held big red roses that matched the red lilies tattooed down my arm. Half an hour before the party began we had to lie in bed together, hand in hand, and feed each other Valium to calm us down.
But it was wonderful; beyond wonderful, in fact. How can you not love being surrounded by people who can’t stop hugging you and wishing you well? Even though more than a few squeezed my arm and exclaimed ‘You? Getting married? YOU?’
In Berlin, where this enigmatic city struck a chord in him the same way it has in me for thirty years
I understand their incredulity. I have, in fact, done a lot over the years to foster it, with my cynicism and independence, my polyamoury and adoration of solitude. So many of my stories have explored not the desire for intimacy, but rather the desire to shy away from it, a topic of much fascination for me, and my characters.
But quite quickly in our courtship, Chris and I bonded over the plague. And I thought, well, here is someone as macabre and melancholy as me: let’s see where this goes. His novel is set in Sweden; mine, Iceland…another good sign. We both have a shitlist that is horribly easy to be placed on, with our spiky tempers and long memories. He bought me a taxidermy workshop for Christmas, while I got him books on religious doomsday cults.
See what I mean?
A plague doctor pillow and rogue flamingo…just your average living room
Combined interests – witchcraft, the Black Death and apocalyptic painters
I make him spiced cakes for witchcraft sabbats and he gingerly moves my book collection to make room for our new snake tank. We both honour the solstices. My hundredth published story was about him. I’ve now stood on stage at literary festivals and told of our treacherous and terrifying drive across Iceland in sleet and snow, where only his soothing reassurances and Etta James’ sensual songs calmed my heartbeat.
‘Gold’, my 100th published story – read here
‘Crawling King Snake’ at Stereo Stories – my tale of Iceland and intimacy
He’s the first writer I’ve fallen in love with. It changes the dynamic in heavenly ways, let me tell you. When we write side by side for hours, with only a forehead kiss or hand squeeze between us, no-one tells me I’m being selfish for communicating with my pen instead of my mouth. And that’s a blessing of the highest order, believe me.
My pen also threw out this little story for The Big Issue last month, ‘Out of the Blue.’ It details my emergence from the agoraphobia of my early twenties, and the role my pen pals played in that. The road in front of me used to look so narrow; completely lacking in freedom or potential, just a tiny slice of blue sky above factory chimneys. When I could control the panic long enough to creep to the window, that is.
Read my story for The Big Issue – ‘Out of the Blue’
The road looks pretty damn different now. I never would have guessed it’d involve an engagement party, a snake dress and Valium.
Just between us though, I always hoped the publications would be in there somewhere.
I no longer eat my stories
In September I had the lovely luxury of taking time off my day job to focus on my career: putting stories on paper. Woven through both jobs is my deep reverence for words and their wonder, and I still can’t believe I get paid to splash around in ink. My academic background is linguistics, leading me to now teach in a language college in Melbourne’s CBD where I can speak of gerunds and infinitives, pronouns and prepositions until the sky turns dark and I almost skip down Bourke Street afterwards. Have to love a job where you can ask students to analyse both Chaucer and Nick Cave.
Rehearsing for my Nick Cave song with Stereo Stories
Recently I caught sight of myself in the train window, glasses on, hair in a messy bun, bag full of books, looking for all the world like an actual grown up who Works With Words.
Still, it’s been joyous to take a step back this month to focus on the novel. With publisher and agent interest lighting a fire under me, I’m taking every opportunity to curl up in my studio, surrounded by snake skins, vintage heels and feminist punk on the turntable, and pour out the words.
My writing studio
I also finished the incomparable Hard Copy manuscript development program through the ACT Writers Centre, streamed live from the National Library in Canberra. Three exhausting and euphoric days of ‘Introduction to Industry’ lectures on contracts and copyright, signing with agents and negotiating publicity tours, and everything in between. When I heard the chairman describe us as ‘the next wave of exciting new Australian novelists’, I turned my Bikini Kill record up loud and sang along.
Taking a break from my Hard Copy notes
I also took the time to update my website with new publication and podcast links, an updated profile page, and a general spring clean. Go take a peek if you haven’t before.
There was also a trip to wonderful Albury for the Write Around the Murray literary festival, where I performed at a sold out Stereo Stories show after speaking on a panel about alternative forms of storytelling. A fast paced, utterly magical weekend of word work. When I checked into the hotel they’d booked for me and found a goody bag with my name on it, it was another gold moment in a month full of them.
A tulle petticoat, a hotel bed, and a festival bag of goodies
The Form Guide panel on ‘alternative forms of storytelling.’
Rehearsal space for our Stereo Stories show
Beautiful Albury, New South Wales
A very happy writer, after coming off stage at our sold out show
There was no day more golden than last Saturday, when my Wolf and I took a walk at the water’s edge. All of Melbourne was spread out in front of us across the bay. The first spring blossoms were bursting out of our frozen landscape, and everyone we saw on the boardwalk was smiling at the approaching sunshine, right down to frolicking dogs. It was a moment of great pleasure and promise, and when he asked me to marry him, my yes was immediate.
My turquoise ring; vintage and odd, just like me
So that’s my monthly round up: more ink spilling, more punk music and road trips, far too many pairs of red shoes and red pen strokes on my manuscript, and a new life unfurling in front of me and my man.
See you in October.
Tales from the Bowery
‘His favourite sound was the click clack of typewriters […] He knew exactly how much words cost and what consequences they can have: how they can start but also stop the opened organ of the heart.’
‘The Lonely City’ by Olivia Laing
The above book has kept me spellbound this month. An elegant, erudite look at intimacy (or lack thereof) through the prism of artists in New York City, Laing’s reverences for the words she selects is exquisite. This is such a moving, beautiful book to read.
The first time I saw the skyline of New York was through the window of a Greyhound bus, fat full moon hanging low over the skyscrapers. All the breath was sucked out of me. I had flown from Australia to meet a pen pal I’d been writing to from an online feminist punk collective, Erica, and we explored the area I knew would forever more be my NY stomping ground, the Lower East Side.
The Bowery, New York City, 2006
Four years later I returned, again with Erica, and smitten by the Bowery, I booked us into a hostel opposite CBGB’s that was so foul I’ve just spent a very entertaining fifteen minutes reading online reviews of its horrors. From the drunk men passed out on the floor of the lobby that we literally had to step over, to the blood stains on the sheets and walls that only reached head height, it remains the worst place I’ve ever stayed at. Even the reception cat had a broken leg and coughed up a furball of warning at my feet when I checked in. I do have a dollop of fondness for it, however, as it became the topic of my first magazine publication, a clipping I still have in a drawer somewhere.
New York City, 2009
New York City, 2012
That trip I had a backpack stuffed with diaries, linguistic textbooks and my university degree. I was moving to Brussels, having left my boyfriend, my 18-year-old cat and my whole life behind in Melbourne. It was in Brussels, living in a medieval house in the Street of the Candlesticks with blood red floorboards and my makeshift altar in the corner, that I had my first taste of the loneliness that Olivia Laing writes so hauntingly about.
In Rue des Chandeliers, Brussels, 2006 – click here for story
In Rue des Chandeliers, Brussels – click here for ABC audio story
I’d lived in Brussels as a teenage exchange student for a year, and fallen in love with both the city itself, and the glorious bliss of solitude and independence. When I moved there again at 33, it was to put down roots and carve out a life of Flemish freedom. Or so I thought. The news that the man I left behind had moved on with a new partner, three months after I left, broke me apart. I drank whiskey for breakfast, I lost weight; I stopped speaking. I had no-one to speak to anyway, to be honest. I practised my broken French and Flemish on the alley cats. But the words did come out of my fingers too, and I wrote my way above ground again.
‘Art was a place where one could move freely between integration and disintegration, doing the work of mending, the work of grief, preparing oneself for the dangerous, lovely business of intimacy.’
‘The Lonely City’ by Olivia Laing
Being alone in a new city has immense challenges, but for me, the rewards are undeniably rich. Many of my travels have been solo adventures, loner that I am, including uprooting my life and moving overseas twice. I love to dine alone, with a book and a wine and a full heart. Some of my happiest memories have been me, in a new city – Helsinki, Albuquerque, Hong Kong, Reykjavik – walking the streets with the knowledge that no-one in the world knew where I was at the point in time. But I know the flipside also, and finding it within the cover of Laing’s book reminds me in beautiful, painful ways.
The protagonist in my novel knows this also. Iceland is a precarious place to find your feet, and she falls between the cracks in the language, the culture and society. But lord, how I love finding the words to describe it.
Ólafsfjörður, northern Iceland – click here for ABC audio story
My love of my hometown, Melbourne, has also been on display this month. I was delighted to be one of the writers selected for the Melbourne Writers Festival this year, with my story for the Reading Victoria project being recorded and played on an audio loop in the Star Observation Wheel. I took my Wolf on the wheel, and the joy of hearing my own voice tell of my love for my city, while we soared above it, was one I won’t forget. Being part of the celebration of Melbourne’s 10th anniversary of our UNESCO City of Literature designation is also a joy.
On the Melbourne Star Observation Wheel with the Wolf
I keep thinking of New York. My last trip, in 2016, was for the ridiculously exciting reason that one of my audio stories, ‘Almost Flamboyant’, had been selected as a finalist in the inaugural Sarah Awards for International Audio Fiction. I was so stunned when we won that I pinched my producer, hard, and then gave a bemused speech where I named all my taxidermy. Waking up to our photo in the New York Times the next morning is a jewel I keep taking out and polishing, and admiring the light that shines from it. New York sure looked good that trip.
Picture from the New York Times
Celebratory dirty martinis, New York City
To hear our winning story of a taxidermy flamingo possessed by the spirit of Tom Waits, click here
So that’s August for you! Next month I’m heading interstate to perform at the Write Around the Murray literary festival in Albury, New South Wales…more travel, more words, and always, always, more stories to report.
Rapunzel, Rapunzel
I read about Rapunzel syndrome, where sufferers ate the hair they wrenched free. The strands knotted inside them, plump and dark, deep within their belly like a swallowed secret.
‘Rapunzel, Rapunzel’ by Rijn Collins
Of all my ink, my Medusa tattoo is my favourite. She stands proudly on my left arm, hands on hips, draped in a long flowing skirt. Thirteen blue, black and silver snakes writhe in front of her bare breasts, wrap themselves around her pointed feet, or curl out from her beautiful face, almost feline in its angularity.
Matt Burke Photography
My skin tells other stories too; a trio of cauldrons, glossy red holly berries, words from an Irish spell, a scarlet and black swirling triskele, and my most noticeable – and colourful – tattoo, nine blood red trumpet lilies wrapped around my right arm and curling over my shoulder, behind which snakes charcoal Art Nouveau ivy tendrils.
Again with the snakes, hey?
Belladonna trumpet lilies
My Medusa tattoo features in my latest story, ‘Rapunzel, Rapunzel’ up now at Memoria. This wonderful podcast focuses on short memoir extracts, ‘micro-stories about the moments that shape us, and how memories change over time.’ I narrate my tale of obsession, regeneration and yes, more snakes, all beautifully produced in a little slice of audio lasting 5 minutes and 32 seconds. So settle back with a glass of red and let me read you a story…and take a wander through the other stories on the site while you’re there.
Illustration by Peta Manning – click here for story
I ran a hand through my hair, falling in deep red waves to my waist. I imagined my snakes as they writhed, glowing in the late afternoon sunshine. It’s all I could do not to reach up and pat them.
‘Rapunzel, Rapunzel’ by Rijn Collins
If you think I’ve finished with the serpent stories, you’re wrong. My lovely Wolf has decided to buy me a snake for my birthday, and we’ve been searching. We have the tank (and a rather alarmed cat, sniffing the scales of the previous tank tenant), and are fitting it out with a thermostat and hide. In Australia you need a licence to acquire one, just in case you were tempted to go out and catch yourself a wild one. My licence arrived on the same day that my Medusa story came online, which also happened to be World Snake Day. Little bit witchy, me.
In other writing news, I headed to rural Victoria for some red dirt, kangaroos, a bonfire, and a studio to pour out chapters of my novel. There was also the wonder of my Wolf chopping wood, and the opportunity to mix whiskey with toasted marshmallows, and feel this little cutie snuggle into my mane.
Moyston, Victoria
Moyston, Victoria
Moyston, Victoria
I’m also delighted to be part of the Melbourne Writers Festival this year, where sections of my recent Reading Victoria piece on the West Gate Bridge will be adapted for audio, mixed with six other writers’ tales of our home suburbs, and played on the Melbourne Star Observation Wheel in August. To hear the story in its entirety, go to All The Best Radio and listen to their wonderfully produced audio version.
My West Gate story on All The Best Radio – link here
Pair that with two more Stereo Stories performances lined up in September, and an invitation to be a panellist at the Write Around the Murray festival in New South Wales, and as always, I’m never short of reasons to pick up a pen.
Look at that…I managed to finish this without more references to snakes.
Almost.
Count to ninety, and leap
Ninety seconds is not a lot of time.
In ninety seconds I could read some flash fiction, mix a martini or translate one of my Icelandic fortune cards. But is it enough time to sit in front of a waiting publisher or literary agent to pitch my novel?
I’m possibly making it more dramatic than it was (which is my job, after all). To be specific we had three minutes in front of each person, half of which was recommended to talk about our publishing achievements and pitch our project, with the other ninety seconds left free for any questions they had. With a roomful of other writers waiting in queues behind me, and a loud timer ringing constantly, there was no room for timidity. I had a straight spine, a handful of business cards, a blood red dress that stood out in a sea of Melbourne black, and a sold out performance at the Williamstown Literary Festival to head straight to afterwards.
My business card
Rehearsals for the Williamstown Literary Festival – photo by Eric Algra
A big day, then.
And a rather spectacular one. I apparently managed to make a novel about a taxidermist with an obsessive compulsive disorder in the snow and solitude of Iceland sound ‘odd and beautiful’, and walked out of there with three invitations to send in my manuscript when it’s finished. The advice I received was invaluable, as was the professionalism and expertise of those who donated their time; if you ever get the chance to attend a ‘literary speed dating’ event, jump at it. I am even more enthused to KEEP WRITING, stick to my schedule, and focus on the story that has had me enthralled for some time now.
My participation in the Hard Copy manuscript development program from the ACT Writers Centre has also been astonishingly inspiring. Designed to nurture ‘the next wave of exciting Australian novelists’, the first round involved three 9am-5pm sessions of lectures and workshops from the National Library in Canberra. As a member of their inaugural digital program, I accessed these from my writing studio via live streaming, with a constant supply of coffee, a loving partner bringing me snacks, a curious cat intruding into microphone range, and some very stiff neck muscles.
Point of view, present or past tense, interior struggle versus exterior atmosphere, titles and word count, with chats in the side bar and moving camera angles. My pen flew, and my fingers on the keyboard also. So many of us put value on talismans that helped our ink flow; my ring holding a chunk of Icelandic lava, my fortune telling cards bought from the Kolaportið flea market in Reykjavik, and my framed chart of the skeletal system of a small finch above my antique writing desk, to guide my protagonist’s hands through the taxidermy that opens my first chapter. Knowing this is a peculiarity of many writers felt like a blessing.
‘Let Go Of It’
Bird bones in my writing studio
Sharing the digital program with five other inspired and inspiring women from all around Australia was a dream come true, and we’re already talking about flying in to meet each other for a group whiskey weekend.
My writing studio
As the Luddite of the group, I fared remarkably well. Given that the following is the opening paragraph of my recent article in the Victorian Writer magazine, I think everyone breathed a sigh of relief that my participation in the Hard Copy Digital stream was so seamless.
The first time I used the Internet, I was reluctant. So I could just type in any subject, and articles or photos would magically appear? A technophobe at heart, I hid my intimidation behind scorn. ‘Who would want that?’ I remember asking. ‘It won’t last.’
Round Two of Hard Copy begins in September, a week before I’m booked to appear at the Write Around the Murray literary festival in Albury, NSW. Last night I performed with Stereo Stories at the Glen Eira Story Telling festival, and two weeks before that there was the sold out show at the Williamstown Literary Festival. In between I recorded my love story to the West Gate Bridge at RRR studios for All The Best Radio, a piece that was first published in the Readings Victoria project to commemorate the tenth anniversary of Melbourne’s designation as a UNESCO City of Literature. Also due soon is my contribution, ‘Rapunzel, Rapunzel’ to the wonderful Memoria podcast, airing on July 16.
At the RRR studios for All The Best Radio
Stereo Stories at the Willi Lit Festival – photo by Eric Algra
Just a woman and her giraffe dress – Williamstown Literary Festival
As if I needed more reason to spill ink, last week saw my birthday and the winter solstice, and a lovely, loving group of friends in a haunted house with open fire, Nancy Sinatra singalong and full heart.
Walhalla, Victoria
Walhalla Cemetery, Victora
Walhalla, Victoria
Let’s see what inky wonders July brings, hey?
Artemis April
Full moon, black cat, snake skins and open notebook…that’s how I see this cycle in.
My March entry had me sending so many of my words out into the world, and I’m happy to say that many of them returned rosy-cheeked and full of joy. Here’s a little roundup of what’s happened over the last month…
- I recorded two stories with the wonderful Nat for Memoria Podcast, and loved every moment. Writing for audio requires a different approach to words, an awareness of how they sound instead of look. This makes me step outside my comfort zone and look at my writing from a fresh perspective, something I always love. Stay tuned for release dates on both stories.
Memoria recording
- I’ve just been asked to speak on a panel at the Write Around the Murray literary festival up in Albury, New South Wales in August. This is one of my absolute favourite lit fests, set in a gorgeous town scattered with Art Deco architecture and run by some of the most passionate arts folk I’ve met. I’m looking forward to it greatly.
- The current Victorian Writer magazine holds one of my stories on their collaboration theme. I wrote about my work with musicians, painters, photographers, producers and other writers, including my performances with Stereo Stories, and the magic such collaborations can produce.
The Victorian Writer collaboration issue
My story in The Victorian Writer
- Speaking of which, rehearsals are currently underway with my Stereo Stories crew for our next performances: we’ll be at the Williamstown Literary Festival and the Glen Eira Storytelling Festival, both in June. Line up and ticket details coming soon!
Rehearsing with Stereo Stories for the Williamstown Literary Festival in June
- There’s been a production meeting for the film being made from my short story, ‘Snowblind.’ This is entirely new territory for me, but talks of screenplay, cast, set, location and music are immensely exciting. What was I saying again about taking me out of my comfort zone, and looking at words from another angle?
- Finally, an email that made me beam: I’ve been accepted into the HARDCOPY manuscript development program, which aims to develop writers who will have ‘longevity in the Australian publishing industry.’ This amazing opportunity helps writers hone their manuscript and have their work seen by high-profile agents and publishers. Little bit exciting, that.
So that’s why my monthly roundups have been coming at the last day possible – because I’m so busy writing, editing, recording, applying, rehearsing and rewriting that I can barely put the pen down.
But when I do need to step outside the page and clear my head, to focus on my body instead of the books, this is how I do it. Sometimes I channel Anne Sexton, sometimes Artemis.
April, you’ve been gold, you have.
March’s muse
I have the kind of bone weary, heart proud tiredness that comes from putting everything else aside in a push of solid dedication to my writing. Feb and March have seen applications for a fellowship, scholarship and travel grant, preparations and rehearsals for two literary festivals, expressions of interest for two more, recording arrangements for two podcast stories, a submission for a theatre monologue, thrilling talks about casting and location for a short film of one of my stories, three rejections (alas), a story in The Big Issue, another one coming soon, yet another for the Writers Vic newsletter, and always, always, the snow and solitude of my novel and its Icelandic setting. I am exhausted, I am ebullient, and I am SO ready for more.
Happy to be sharing space in The Big Issue with Tom Morello and Ai Weiwei
Beautiful illustration from Danny Snell accompanying my story in The Big Issue
In between deadlines I hit the skies and headed for Queensland. A snow worshipper at heart, only one thing would beckon me to the land of surfers and sunburn, and her name is Helen.
With Helen on my last visit to QLD (2013)
Helen, Surfers Paradise, 2018
We met a decade ago as writers in an online artists’ collective, and have since enjoyed shenanigans as far afield as Melbourne, Los Angeles and New York. She knows me well, she loves me anyway, and her wry wisdom comes accompanied by Elvis singalongs, vodka and such a stylish home I wander in wonder.
Helen’s house
Helen’s house
Helen’s house
Flying home to Melbourne, I scribbled on napkins and nibbled on cashews, thinking of all the vistas I’ve been fortunate to view in my wanderlust. My mid-flight routine is always the same: gospel music and gratitude, for the supreme privilege of gazing down at my world, and all those I love upon it.
Tomorrow I head to the headquarters of Memoria, a wonderful podcast of micro radio dramas adapted from short memoirs. I’ll be narrating and recording two of my stories, and cannot wait to delve back into audio storytelling. Next week, my story on writing collaborations comes out in the Victorian Writers magazine, soon to be followed by my next story in the Big Issue.
And the meetings I’ve been having with a director and producer about adapting one of my stories, ‘Snowblind’, into a short film, are the cherry on top of this extraordinarily productive time.
To read ‘Snowblind’ in Wigleaf literary magazine, click here
For now, though, it’s back to my writing studio to curl up at the keyboard with some vinyl on the turntable and a plump black cat by my side …one of my favourite places to be.
My writing studio
