Taxidermy and Fairy Tales
June 3, 2023 at 6:06 pm (writing) (debut novel, fairy tales, Iceland, Icelandic, literary festivals, melbourne author, taxidermy)
‘Fed to Red Birds,’ my debut novel, is finally out in the world!
It was published on March 8 by Simon & Schuster…and what a wild and wonderful ride it’s been. I’ve been taking notes for this blog but the whirlwind of the launch, promotion and festivals has taken over. And I’m not complaining, at all.
‘A striking novel about a bewitched young mind’ – Good Reading magazine
‘Fed to Red Birds’ was launched on International Women’s Day. I’d spent the prior evening at a Bikini Kill gig, one of my favourite feminist punk bands of my youth, which seemed the perfect way to welcome my book into the world. I woke to a stunning bouquet of flowers from my fabulous team at Simon and Schuster, and a few days later hosted a sold-out launch at Littlefoot, a lovely local bar here in Footscray, Melbourne.
I wore a black velvet dress and a necklace of seven gold snakes, drank dirty martinis and revelled in the support and love of my friends and family. I’ve visited bookstores all over Melbourne to sign copies and a few days ago headed to Sydney to do the same.
‘[L]ost in this book, I have only put it down for long enough to write this column, and am already missing Iceland and Elva terribly … I feel I am typing this with frost-bitten fingers while being watched by trolls.’- The Canberra Times
True to form, I’ve already outed myself at festivals as a weirdo with a house full of snake skins and bat bones. At Sorrento Writers Festival, host Irma Gold was asking about writing routines and described Agatha Christie eating apples in the bath while inspecting crime scene photos. I said ‘Oh, my writing routine is much more boring.’ Then I proceeded to describe how I worked on ‘Fed to Red Birds’ with bare feet, legs crossed, and my baby snake in my bra, soothed by my heartbeat. It was only when audience members flinched that I realised, ah, perhaps not mundane after all. Good to know.
‘Intensely evocative…beautiful descriptions of Iceland, the country, and the also the quirks and curiosities of cultural life in Reykjavik – Hannah Kent, author of Burial Rights
Words used so far to describe my book: macabre, spellbinding, moody, magical, beguiling, creepy, enchanting and, a favourite, ‘a little bit dark, and a big bit beautiful.’
In June, I’ll be on several panels at the wonderful Williamstown Literary Festival here in Melbourne: ‘Taxidermy and Fairy Tales’ and ‘Witchcraft in the 21st Century.’ Lastly is a performance with Stereo Stories, about an Icelandic goth band, Kaelan Mikla, who were the soundtrack to writing ‘Fed to Red Birds’, so much that I thanked them in the acknowledgements.
‘Collins is a writer of great humility and intelligence. FTRB reads like a story she has been longing to tell, the culmination of long-lasting, deep-rooted interests. But it is the ease of her storytelling that is truly marvellous – fiercely honed by years as a practitioner of short stories.’ – Kill Your Darlings literary journal
I plan to update this blog more often with festival appearances, reviews and news, now that publication day has finally passed. In the meantime, ‘Fed to Red Birds’ is available at major bookstores across Australia, and/or can be ordered in through your local library.
Treat her kindly…she’s just a baby, after all.
‘Voice’ launch
August 2, 2021 at 8:29 pm (Uncategorized) (book launch, Brussels, Flemish, Icelandic, Irish, melbourne author, writing)
In the heart of Brussels in the Canal of Wolves
Wolvengracht
Rue du Fossé aux Loups
The box landed on my doorstep in time for Imbolc, the Witchcraft festival marking the end of winter and the approach of spring. I knew what it was straight away. I set the box on my altar, not knowing what to do with it, and the flurry of emotion that had landed with it.
It didn’t last long.
There are few finer experiences than opening a box of your own books for the first time.
‘Writer Rijn Collins’ VOICE is a moving, honest and, at times, darkly humorous three-part memoir. She knocks on the doors to belonging, identity and love through the power of language and her innate desire to understand both herself and others. Drawing on Rijn’s linguistic background in Flemish, Irish and Icelandic, VOICE is both a curious tour of foreign places and words as well as a triumphant journey to the heart and light.’

Travel seems long ago and far away thanks to Covid, which is why I absolutely loved writing about my time with these lands and their languages. But what I loved most – what I’ll always love – is writing about Brussels.
I lived there for a year in my teens, and for nine months in my thirties. Deciding what to include in the Flemish chapter of my memoir was so much more challenging than the Irish and Icelandic sections, though I love both those languages too. Memories of Brussels keep floating up, and I hope they never stop.
The Witchcraft store where I’d buy amber and myrrh incense wrapped in wax paper, and tiny bells to plait into my long black hair.
The bar on Schildknaapsstraat, Street of the Squires, where at seventeen I met a Swedish backpacker whose recent inheritance was allowing him to travel far and wide across Europe. When he invited me to join him, fully funded, it was a temptation beyond belief. When I eventually and regretfully declined, he tied a bracelet around my wrist to remember him by. Decades later, I still know which box in the garage it’s in, nestled next to a deer skull and antlers, snake skins and velvet dresses.
The library where I found a huge volume of Sylvia Plath’s journals, and painstakingly handwrote whole chapters into a teal notebook, week after week.
The hairdresser where a devastating breakup led me to cut off my waist-length hair, like a myriad of heartbroken women before me. When the owner asked if I’d like to keep the hair, I told him about the relationship. He murmured sympathy and asked ‘Would you like me to stomp on it instead?’ Mais oui, monsieur, oui. He gathered all his staff and to my delight, led them in a wild dance across the studio, grinding my hair into the floorboards.
I could go on (and I probably will, somewhere).
Or you could come along to my launch this Sunday in Melbourne and pick up a copy yourself.
When: Sunday 8th August, 3pm-6pm
Where: Sloth bar, 202 Barkly Street, Footscray
If you have an interest in Icelandic spells or feminist punk, linguistics or Goth girls, or just supporting local authors…would love to see you there.